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For most of the modern music industry’s 100-year history, mental health was barely spoken about. Individuals suffered silently, burned out privately (or publicly) and often, at least in the case of behind-the-scenes music workers, were replaced. The show went on.…
Five-time Grammy winner Shania Twain is not only gearing up to host the ACM Awards this weekend (May 17), but she’s also got a new album in the works. Her seventh project, Little Miss Twain, will come out on July…
Fetty Wap is back outside. The “Trap Queen” rapper announced his first U.S. run of shows since being released from prison earlier this year on Wednesday (May 13). The Nostalgia Tour is set to kick off in his home state…
SPOILER ALERT! This piece spoils the entirety of Off Campus Season 1 on Prime Video. Editor’s Note: Trigger & Content Warning – This piece also mentions rape and physical abuse as part of the main characters’ storylines. The first season…
Us gamers don’t ask for much. With it being now less than six months until the launch of Grand Theft Auto VI, it’s not much to ask for a new trailer, is it? The largest gaming studio on the planet…
Cannes’ Un Certain Regard section got off to an outrageous start with the world premiere of “Camp Miasma,” a queer slasher movie that’s equal parts uproariously funny and confoundingly heady. Hannah Einbinder and Gillian Anderson star in the writer-director’s third…
Over 100,000 songs are being uploaded to streaming services every day, according to Luminate, and many of these tracks are not being listened to at all. Plus, a fast-growing share of these songs have been flagged as fully AI-generated recordings,…
Jane Schoenbrun’s newest film, starring Hannah Einbinder and Gillian Anderson, had its world premiere Wednesday night inside Debussy Theatre to kick off the Un Certain Regard selections.
Fear and desire make an explosive cocktail in Jane Schoenbrun’s instant midnight-movie classic, a psychedelic tribute to the slasher-horror cycle of the early ’80s that subversively reclaims the genre from the traditional male gaze. It’s clear from the outset where…
Cannes: The “I Saw the TV Glow” director’s meta horror homage aims for the heart as much as the head, set off by the sparks of sapphic chemistry flying between Anderson and co-star Hannah Einbinder.