‘Dao’ Review: French-Senegalese Master Alain Gomis Builds a Swirling, Ecstatic Family Epic From One Wedding and a Funeral
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“Dao” opens with onscreen text defining its title as “a perpetual and circular movement which flows in everything and unites the world” — one way to articulate that famously intangible, widely traveled philosophical concept, and the one that works best for French-Senegalese director Alain Gomis’s kinetic, freewheeling, cross-continental sixth feature. It’s also, thankfully, the only […]