‘The Meltdown’ Review: A Missing-Girl Mystery Becomes a Political Allegory as Remote as its Andean Setting
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Four years ago, Cannes’ Directors’ Fortnight premiered Chilean actress Manuela Martelli’s superb directorial debut “Chile ’76,” which tracked with sinister precision the stirring of a complacently bourgeois housewife’s political conscience during the repressive Pinochet regime. Her follow-up, “The Meltdown,” now plays in the Un Certain Regard sidebar, but while the filmmaking is just as elegant […]